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Whistle Stopper - Frankenstein (Cambridge Literature)
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List Price: $13.00
Our Price: $2.86
Your Save: $ 10.14 ( 78% )
Availability: Usually ships in 24 hours
Manufacturer: Cambridge University Press
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Average Customer Rating:  
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Binding: Paperback
Dewey Decimal Number: 823.7
EAN: 9780521587020
ISBN: 0521587026
Label: Cambridge University Press
Manufacturer: Cambridge University Press
Number Of Items: 1
Number Of Pages: 286
Publication Date: 1998-06-13
Publisher: Cambridge University Press
Studio: Cambridge University Press
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Spotlight customer reviews:
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Customer Rating:
Summary: Promises kept
Comment: Like Poe, strong roots in its Gothic horror era make this story too wordy to be read as a contemporary classic (contradiction in terms, I suppose), but the basic storyline does stand up over time.
A basic story, by the way, which no movie version has yet successfully captured, not even Mary Shelley's Frankenstein. That overwrought hyper-surrealistic version by Kenneth Brannagh captures the framework of the book in neat prologue/epilogue bookends, and Robert De Niro captures the menace and humanity of the creature, but Brannagh makes some boneheaded plot changes (particularly the handling of Henry and Elizabeth) that clank off the rim.
That said, though, it would be hard for any movie maker to capture this story which is told strictly in first person narrative, even when told through another's eyes or voice or pen. At one point, the narrative is retold with four layers between the reader and the actor. Good luck turning that into a movie.
And the basic conflict of the story still rings true, and is really what the book is about; unlike Brannagh, who dwells lovingly on the process, Shelley barely describes the creation of the creature, and wisely so. The focus is on the creature and its creator, not on the creative process. And as De Niro the creature says in the movie at a very dramatic turn, "I keep my promises". Frankenstein, the man and the creator, does not.
Customer Rating:
Summary: great story
Comment: i read this book right after dracula and well, it's definitely a good read and an edge of your seat thriller. it has stood the test of time in terms of it's theme and lesson.
Customer Rating:
Summary: I feel sorry...
Comment: for the people who hated this book and gave it poor reviews. Really missed out on what may be the greatest novel of all time. For me it's hard to put down. And the themes are deep and everlasting ones that humans will forever struggle with. Life and death, God vs science, good and evil, spiritual themes, and social ones also, all wrapped up in a GREAT story. Oh well, you can't expect everyone to get it and resonate with it.
One thing about this Rieger version: it says it "reproduces for the first time in more than a century the text of the first edition published in 1818". Not true. Donohue produced at least three editions (I have them) around 1895 that are all the 1818 text.
Just an FYI.
Believe the hype! This book is hard to surpass. I virtually never give 5 stars to ANYTHING. This deserves it.
Customer Rating:
Summary: Choose the 1818 version
Comment: Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.
Customer Rating:
Summary: You've seen Karloff, now read the original
Comment: Once you read Shelley's classic you're going to scratch your head and wonder: Is this really the book that gave us the Karloff movie? Not to mention Herman Munster and Frankenberry. For over a century and half people have been cannibalizing this book for ideas, movies, other books, and products of every size, shape and type that our modern concept of Frankenstein holds little to no resemblence to the master work. While occasionally these bastardizations have had enjoyable results, like Young Frankenstein, it's criminal that so few people are unfamiliar with the source. Do yourself a favor and find out where it all came from. It's not nearly as creepy as you may think, but it's infinitely more thought provoking and it certainly doesn't hurt that this version is beautifully published at a very reasonable price.
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Editorial Reviews:
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`Frankenstein' has entered world culture as a striking and terrifying image--but of what? The novel is a remarkable achievement of a young woman still in her teenage years and this edition of Mary Shelley's visionary work explores its many possible layers of meaning. Science, horror and pathos are compounded to form an explosive combination. . . Cambridge Literature is a series of study texts which presents writing in the English-speaking world from the 16th century up to the present day. The series includes novels, drama, short stories, poetry, essays and other types of non-fiction. Each edition has the complete text with an appropriate glossary. The student will find in each volume a helpful introduction and a full section of resource notes encouraging active and imaginative study methods.
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