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Whistle Stopper - Shaft's Big Score
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List Price: $9.98
Our Price: $2.92
Your Save: $ 7.06 ( 71% )
Availability: Usually ships in 24 hours
Manufacturer: Warner Home Video
Starring: Thomas Anderson (II), Don Blakely, Thomas Brann, Drew Bundini Brown, Evelyn Davis
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Average Customer Rating:   
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Aspect Ratio: 1.33:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 9780790746685
Format: Closed-captioned
ISBN: 0790746689
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Picture Format: Letterbox
Publisher: Warner Home Video
Region Code: 1
Release Date: 2000-06-06
Running Time: 104
Studio: Warner Home Video
Theatrical Release Date: 1972-06-08
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Spotlight customer reviews:
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Customer Rating:
Summary: Can You Dig It?
Comment: Shaft's Big Score is a decent sequel, but the pacing is a bit slow at times. You can't beat The Theme From Shaft, but Big Score has got some tight music in it, keepin' it funky for the Private Dick whose a brotha man. Bumpy and Willie, my two favorite characters are back, and Bumpy is still tolerating Shaft while Bumpy maintains his hilarious disrepecting of him. About midway through is one of coolest scenes ever-Shaft is getting worked over backstage at a nightclub by Mob goons while the shots cut back and forth between busted jaws and writhing exotic dancers. The whole scene is scored with a heavily funky tune about the fuzz comin' 'round and what you gonna do when the mace comes down. Obviously, then you gotta just disrespect the Man and check this movie out.
Customer Rating:
Summary: Good Film!!!
Comment: Can you dig it! Gotta love the action in this one. Better than the first one!!!
Customer Rating:
Summary: Hot!
Comment: Of all of the movies that I own, I keep coming back to the Shaft movies. I wish that they could have made more of them. Don't listen to others, this one is just as good as the first one!
This is the typical story of the black man against the Italian-American(black blood is on them also..) for control of the ghetto. This one is good because it takes a look into black people with money in the early 70's. This film has action, sex, story, chases and a mob boss who doe snot mind you talking sh*t to him, but touch his food or matrial items and he is pissed!
If you like black exploitation films or if you are white and you like raw action films, get this. Shaft is Africa was a little different(could be why they never made another), but still ok. Shaft's Big Score should be your score.
Customer Rating:
Summary: I DON'T KNOW WHAT TO SAY ABOUT THIS ONE
Comment: AFTER SEEING HOW ENTERTAINING THE ORIGINAL ''SHAFT'' WAS, I WAS DISSAPOINTED BY THIS SEQUEL. THIS TIME, SHAFT INVESTIGATES THE MURDER OF AN OLD FRIEND. SOMETHING THAT MADE THE FIRST FILM SO ENJOYABLE IS SIMPLY JUST MISSING FROM THIS ONE. THIS FILM IS MEDIOCRE AT TIMES, BUT THANKS TO RICHARD ROUNDTREE'S LIKABLE PERFORMANCE, AND THANKS TO THE EXPLOSIVE FINAL HALF HOUR, THIS FILM IS WATCHABLE. ONCE AGAIN, THE THEME SONG IS A HIGHLIGHT. FOLLOWED BY SHAFT IN AFRICA.
Customer Rating:
Summary: Nu Yawk's Koolest
Comment: Back in prehistoric times, John Shaft was the role model if you was a nice guy, Priest from Superfly was the man if you was dreaming of livin' the life. Shaft's Big Score the followup to the Cool Black crimefighter series, is a slickened up version of the much more grittier original. Still, the bad ... gets off. The climatic chase has been "rescene" in dozens of later films from Hollywood and around the world and Mr. Parks still doesn't get the proper props for bringing to the screen a cultural icon that despite time and Singleton's "nephew" is still the Man. The late Reverend O.C. Smith is too countrified for singing a Big City theme but the powers the be didn't want to pay Isaac"Black Moses-Voice of ... Reason Chef from South Park" Hayes asking price. But there is a tease of what it might of been in the club scene where somebodys' girlfriend swirls to the early '70s funk. Never mind the usher pass the joint and hand me the gin Shaft Big Score is smokin' Jim.
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Editorial Reviews:
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When a pal of detective John Shaft is murdered in a bombing (and $250,000 in cash turns up missing), New York's coolest private eye finds himself caught in the middle of a power struggle between black and white gangsters over the numbers racket in Queens. Directed by Gordon Parks (who does a brief cameo as a croupier in an illegal casino) and written by Ernest Tidyman (both of whom did the original Shaft), this film lacks the pacing of its progenitor. Roundtree is at his best when he's questioning a woman he's just met about a suspect while at the same time beguiling her into the sack (ah, those lazy, crazy days of the sexual revolution). The finale--a shootout in a cemetery, followed by a car-boat-helicopter chase through Queens and up the Harlem River--is preposterously drawn-out: Shaft, impervious to machine-gun fire, winds up tripping, spraining his ankle, and limping while running from the chopper; two shots later, he's sprinting like a halfback. Look for late Muhammad Ali trainer Drew Bundini Brown as a wise-cracking mobster. --Marshall Fine
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