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Whistle Stopper - The Usual Suspects [Blu-ray]

The Usual Suspects [Blu-ray]
List Price: $29.98
Our Price: $16.99
Your Save: $ 12.99 ( 43% )
Availability: Usually ships in 24 hours
Manufacturer: Metro Goldwyn Mayer
Starring: Stephen Baldwin, Gabriel Byrne, Benicio Del Toro, Kevin Pollak, Kevin Spacey
Directed By: Bryan Singer
Average Customer Rating: Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5

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Aspect Ratio: 2.35:1
Audience Rating: R (Restricted)
Binding: Blu-ray
Brand: MGM
EAN: 0027616063335
Format: Anamorphic
Label: Metro Goldwyn Mayer
Manufacturer: Metro Goldwyn Mayer
Number Of Items: 1
Publisher: Metro Goldwyn Mayer
Region Code: 1
Release Date: 2007-02-13
Running Time: 106
Studio: Metro Goldwyn Mayer
Theatrical Release Date: 1995-08-16

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Spotlight customer reviews:

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: Things aren't always what they seem
Comment: The final climactic moment in The Usual Suspects is the vehicle by which this movie is mostly either worshipped or despised bitterly. Depending on how you see it, we either feel cheated about such a bizarre, seemingly impossible ending, or amazed at the curve ball thrown at us, under our noses the entire time. We may even wonder if this ending is proper etiquette, or "fair game, for a suspense to employ. Some may have seen it coming, but to those who didn't, it makes for one great surprise.

As odd as it may sound, I don't think that you can judge this movie on acting alone. Sure, Kevin Spacey does an exceptional job as Verbal Kint, who is interrogated by Detective Kujan. And Gabriel Byrnne does a commendable performance as Keating, a corrupt cop supposedly trying to steer right, but who gets back into the mix. Some of the performances aren't fantastic, but this is one time where I don't think they have to be. The method of getting to the story's climax is what "makes" this suspense fantastic. With the use of going back in forth in time, from the present in the detective's office where Kint is telling his story, to the past, where we not only learn about the five thugs who decide to the take the big job for Keyser Soze, to learning about each one of the five. There are some plot events that you will naturally look back to as "aha" moments. You can credit the screen writers for coming up with this; a creative job of making this work, which usually doesn't work in movies, or ends up sloppy.

In many respects, the mystery surrounding Keyser Soze is what makes this puzzle a little more than the average mystery. As you watch the film, it is actually this character, real or fake, that derives much of the motivation for actions of the thieves, such as their decision to take the big job on the boat. Soze is one of the worst villains of the film, and yet, much of the film you are trying to figure out if the infamous killer is more man or more myth. The mystery surrounding this diabolical character's whereabouts, and his association with evil, seems to give the film's final moments even more significance and tenseness.

Smart writing carries this film, albeit with a superfluity of profanity spewed about. Its plot is its main strength, and this is the kind of film you can watch again and pick up on things you missed before. Watch this film remembering to take note of all that is seen, and remembering that sometimes things aren't always what they seem.



Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: When virtual reality becomes ficrional
Comment: It is not a recent film, indeed. The Twin Towers are still standing. We are entering the profiling era and it was tempting for criminals to return the favor, though they have always done that. They here profile the police and their investigative methods. If you satisfy the police's way of thinking you will go through their net with no difficulty. You just have to convince the cop that a certain criminal does not exist, that this criminal projects you in some kind of legend or saga, is a boogeyman under the bed or in the closet. If the cops are convinced that this boogeyman is a pure collective invention, some folklore in another word, they will just shrug their shoulders and consider the one who is telling the story is, like all the others, haunted or possessed by a phantasm. And it works. He is the only survivor, or nearly, and he convinces them that his criminal persona is a myth. They are dubious, dubitative, skeptical and many other things, but they cannot imagine you are that myth, that criminal and that you are fooling them massively. To play on the impossibility for these cops to believe such a story can exist is your best diversion, disguise. They are ready to buy a lot but not that someone who is a coward, a weak person, a subservient non-entity, what's more a cripple, can be that ruthless, pitiless and unwavering mastermind of crime. Of course the punch line of the film is that the cop realizes he has been fooled because this cripple being the mastermind is the only explanation why he knows all he knows: he knows too much to just be an accidental witness. And the punch line is doubled with the composite picture of this fantasized criminal as seen by the other survivor who should not have survived and the criminal does not know he is still alive who has seen him very distinctly. This composite picture, a very sketchy image, is arriving on the fax machine as the cripple straightens up and gets into the car that was waiting for him outside the police station. Too late. This tactic has been used by other thrillers, but in this case it is very persuasive and the film works very well provided we do not profile the thriller-maker, otherwise we would know the end before the film ever starts.

Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines


Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: Great movie...or Greatest movie
Comment: What can you say about the Usual Suspects that hasn't already been said by a hundred other reviewers. It's a great movie and if you haven't seen it then you must buy a copy right away. It is a must see film. Why not rent it you ask? Because this is a movie that you will want to see over and over again. It's one of those films that gets lodged in your unconscious and never quite goes away. You have to watch it at least twice to really appreciate it. I was impressed by the bluray transfer of this film. It really has never looked or sounded better. I am however quite disappointed with the lack of extras. If you are expecting extras for the film sadly this one has none. If you are a fan buy it. If you are new to this film buy two. One for you and one for your best friend.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: One of the Best Movies Ever
Comment: This is one of the best movies ever made. The cast is perfect, the story holds your attention throughout.

In blu-Ray the picture and sound is perfect.

Customer Rating: Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5
Summary: Shameful Blu-Ray release - no extras whatsoever
Comment: I feel like a broken record at this point. Let's get one thing straight: I really enjoy The Usual Suspects. And the SE DVD has some great special features on it. So what does this Blu-Ray get? Bupkus. Thanks, guys. You won't be getting any of my money until you start respecting the consumer and release a proper Blu-Ray with AT LEAST all the standard DVD extras ported over.


Editorial Reviews:

Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, The Usual Suspects has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of The Usual Suspects is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and The Usual Suspects is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. --Jeff Shannon


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