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Whistle Stopper - The Pawnbroker

The Pawnbroker
List Price: $14.98
Our Price: $7.96
Your Save: $ 7.02 ( 47% )
Availability: Usually ships in 24 hours
Manufacturer: Republic Pictures
Starring: Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez, Thelma Oliver
Directed By: Sidney Lumet
Average Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5

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Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
EAN: 0017153145878
Format: Black & White
Label: Republic Pictures
Manufacturer: Republic Pictures
Number Of Items: 1
Publisher: Republic Pictures
Region Code: 1
Release Date: 2003-12-16
Running Time: 111
Studio: Republic Pictures
Theatrical Release Date: 1965-04-20

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Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Life as punishment
Comment: An amazing and hearbreaking story about German Jewsih immigrant Sol Nazerman, who lives in NYC and owns a pawnshop. Sol is a lonely man, unable to relate to other people's neediness for personal connection. He is so detached from the world that only random comments from his store customers or friends and family can stir angry replies from him. Sol believes that world is governed by greed, which he resents in spite of the fact that he has lots of money himself. It is also sad to see him in his shop, closed behind bars and locks. It is almost as if he is self-imposing the imprisonment on himself. A few friends and family and even his long time lover, are financially dependent on him. While he needs them to remind him of his past, he also resents them. Flashbacks from Sol's past are terribly hard to watch. We see WWII rob him of his children, parents and beautiful wife. The way they perish is of constant anguish to him and 25 years later, his emotional pain os so hard that he wants to die more than anything else. Sol rejects everything and everyone around him because he is either dead inside already, or he is afraid that if he gets close to people and sincerely starts caring about them, he will get hurt again. The fact that Sol keeps on living is punishment he can barely stand any more. For him, death is difficult to attain, but it is his utmost desire.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Highly Introspective
Comment: This film is an excellent social commentary, Rod Steiger is an excellent actor, and his performance coupled with the social commentary creates very a penetrating experience. This is not a sit down and eat popcorn film, it basically burdens your soul and leaves you shaken afterward. The film relates to the memories and conscience of a Holocaust survivor, and how he manages to deal or not deal with both. The reflections of the survivor are terribly true to life, and therefore impact the viewer; the film basically leaves one with deeply ingrained impressions.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Ever a c lassic
Comment: Some time framed memories seem to last, in this case, a Rod Steiger classic performance. Idylic days in the countryside transform into 3rd Reich madness and then a lifetime of nightmarish memories interwoven with daily survival. A movie that operates on different levels remains effective in running the gamult of emotions tinged with sadness and longing. A squandered Oscar opportunity for Steiger by the Acadamy which sought redemption by bestowing the award years later for an overated performance in a weak script. The pieces of this cinematic pie fit together well and the film remains a pleasure and privilege to view.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Stark 60's urban drama
Comment: Might be Rod Steiger's most morose and bleakiest role. As an Auschwitz survivor whose family were raped and tortured there, he feels a veritable menagerie of despair because of the guilt he feels for his inability to extricate them from the camp and for the guilt he feels because he somehow managed to make it out. His job as the titled pawnbroker does nothing but fuel more fire to his dire situation in life as he is cast amongst the severest cases of poverty in his store's Harlem neighborhood. Added to that, he has to front his store for a despicable vice lord (Brock Peters) so that he can at least make a modicum of income.

Sounds and is grim but is, to me, the quintessential groundbreaker of the ultra-realistic urban life dramas that were to unfold in the latter 60's and early 70's. Rod plays his part to perfection as a lifeless, embittered old man who has seen too much in one lifetime. The aforementioned Brock Peters along with Ray St. Jacques, Jaime Sanchez (his apprentice) and others flavor this dramatic pot even more so with their poignant portrayals of their respective characters, each of whom has fallen victim to the scourges of his ghetto habitat.

I shall not offer up where and how the redemptive transformation occurs in our principal, except to say watch the entire movie and see for yourself how it all unfolds. Truly, a time-tested masterpiece!


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Excellent
Comment: Excellent for the period. This film shot Steiger into Stardom. A must see for all holocaust aftermath followers.


Editorial Reviews:

Based on a novel by Edward Lewis Wallant, this gritty story follows Sol (Rod Steiger in a breakout performance), a lonely camp survivor who has dealt with the destruction of his family by suppressing all emotion and cleaving to the philosophy that nothing matters except money. (His bedridden and dying friend Mendel describes him, to his face, as "the walking dead.") Sol cannot accept the friendship of his assistant, Ortiz (Jaime Sanchez), or of an equally lonely widow (Geraldine Fitzgerald). As the 25th anniversary of his wife's murder approaches, he starts to fall apart, and it becomes clear that what he really wants is to die. The film was considered shocking when first released, both because of its rawness and because of brief nudity. Time has made some of the dramatic touches seem melodramatic--especially the corny "blood on my hands!" final scene. But Steiger's performance is still remarkable, and, even after MTV, the sudden-flashback editing is a forceful technique. A high point of Sidney Lumet's career. Black and white, with lots of atmospheric trumpets by Quincy Jones. --Richard Farr


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