|
|
Whistle Stopper - The Last Samurai (Two-Disc Special Edition)
|
List Price: $12.98
Our Price: $3.96
Your Save: $ 9.02 ( 69% )
Availability: Usually ships in 24 hours
Manufacturer: Warner Home Video
Starring: Ken Watanabe, Tom Cruise, William Atherton, Chad Lindberg, Ray Godshall Sr.
Directed By: Edward Zwick
|
Average Customer Rating:  
|
|
Aspect Ratio: 2.35:1
Audience Rating: R (Restricted)
Binding: DVD
Brand: Warner Brothers
EAN: 9780790782768
Format: Anamorphic
ISBN: 0790782766
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 2
Publisher: Warner Home Video
Region Code: 1
Release Date: 2004-05-04
Running Time: 154
Studio: Warner Home Video
Theatrical Release Date: 2003-12-05
|
|
|
|
|
|
Spotlight customer reviews:
|
Customer Rating:
Summary: The Last Samari
Comment: I love historical dramas, and this was a really wondrous story. Anyone who loves history will love this film. Tom Cruise was at his height in acting. All the Japanese actors were great. I'm ordering Shogun for the Japanese history.
Customer Rating:
Summary: An unexpectedly great mixed-culture film
Comment: Though I'm not a huge fan of Cruise's, his acting's been getting better with age. The Last Samurai is a solid film that shows us cultural clashes between American ideals and Japanese philosophies in a truly enjoyable way. Definitely worth watching!
Customer Rating:
Summary: REALLY REALLY GOOD MOVIE!!!!!
Comment: This is a movie that is based in ancient japan and shows you the real way of the samurai. It was a time when old japan was being destroyed and the new japan was being born. It gives you a better understanding about that time period in japan. It really was a big part of history for japan. It just a great film.
Customer Rating:
Summary: The Last Samurai
Comment: Excellent depiction of Japanese culture and the conflict between traditional and modern forces. Great movie.
Customer Rating:
Summary: I know the Japanese are accomodating, but this is ridiculous!
Comment: If you took Tom Cruise and Ken Watanabe out of this storyline, it's really nothing but a Steven Seagal/ Chuck Norris movie. (The Last Samurai is also a reiteration of Harrison Ford's Witness, minus the charm.) Invincible American white man goes to Asian country, learns their tradition to perfection in a mere two seasons, and becomes one of their leaders to lead them into war, and survives the battlefield while every Japanese samurai gets annihilated, ending in a scene where EVERY Japanese soldier kneels and bows to the great white god on the battlefield. When you tell a story where the protagonist has ALL the good cards all the time, it makes you question whether the movie has a message, or is just another advancing notch in cultural imperialism, creating a storyline where natural selection enables the superior party to continue into the next generation. I know entertainment should be treated as entertainment and not historical fact or social theory, but when you have highly questionable circumstances, then it throws the other, more important aspects of the movie into question.
Now I understand that this movie is literally a rice queen's dream come true. I mean, there are very few places in this world where you can kill a man, say "I'm sorry" to the hot widow, and end up hopping in the sack with her. All this while the dead man's surviving children adore and dote over you, the man who killed their father. Once we question the realism of a man being able to master a form of martial arts in a few months, we begin to question the success rate of whether we, can indeed go around killing men if we want to sleep with their wives. And if we can't buy into THAT fantasy, well then what the heck is the point of watching the movie!?
The photography was good and the acting wasn't bad. At one point I wished dearly that the sentimental soundtrack would halt. War is a horrific act of mankind. I think this movie went to lengths to capture the reality and horror of war combined with man against machine, and it came stunningly close. In independent foreign films, war scenes have often been depicted without any lush orchestration. I think that, is a responsible decision. I could not help envisioning the battlefield climax without the soundtrack. Just the hard reality of men's groans, horses neighing, and screams of terror in the stark afternoon air would deliver the message tenfold. I felt insulted that music needed to be enlisted to "help" me feel that way about something so horrific.
Koyuki plays Taka, the widow, who is curiously mute throughout the movie. It's the stereotypical form of submissiveness that the West is comfortable with when it comes to Asian women. Cruise's lack of facial expressiveness is hidden by facial hair, so that helped.
All in all, I thought it had great potential. I gave it an extra star because it came close to capturing how horrific war is, especially when one side is over-armed, and the other has, only honor.
|
|
|
Editorial Reviews:
|
While Japan undergoes tumultuous transition to a more Westernized society in 1876-77, The Last Samurai gives epic sweep to an intimate story of cultures at a crossroads. In America, tormented Civil War veteran Capt. Nathan Algren (Tom Cruise) is coerced by a mercenary officer (Tony Goldwyn) to train the Japanese Emperor's troops in the use of modern weaponry. Opposing this "progress" is a rebellion of samurai warriors, holding fast to their traditions of honor despite strategic disadvantage. As a captive of the samurai leader (Ken Watanabe), Algren learns, appreciates, and adopts the samurai code, switching sides for a climactic battle that will put everyone's honor to the ultimate test. All of which makes director Edward Zwick's noble epic eminently worthwhile, even if its Hollywood trappings (including an all-too-conventional ending) prevent it from being the masterpiece that Zwick and screenwriter John Logan clearly wanted it to be. Instead, The Last Samurai is an elegant mainstream adventure, impressive in all aspects of its production. It may not engage the emotions as effectively as Logan's script for Gladiator, but like Cruise's character, it finds its own quality of honor. --Jeff Shannon
|
|
|
|
|
|
|
|
|
